mna na heireann instrumental

She had taken a year off from work of any kind and this was bang in the middle of it. xxx The country is playing and singing ’em by the new time…but nobody remembers what fun it was to be in your company.

This may rankle with some people.”Kate commented in the December 1995 Kate Bush Club mailout: “It was fun and very challenging …..I will eagerly await comments from all Irish-speaking listeners in particular. Over the next few years I’d like to take some time off” At that time Kate was approached by Donal Lunny to take part in an album of Irish music and to record a song with Irish lyrics, Mná na hÉireann. Seán Ó Sé’s singing style and the accompaniment devised by Ó Riada was yet another innovation.At one memorable concert, in Dublin’s Gaiety Theatre in March 1969, Ó Riada produced a new piece, a song entitled Mná na hÉireann (Women of Ireland). Paddy Moloney, frontman of The Chieftans, and a founding member of Ceóltoirí Chúalann, said of this track:“Seán Ó Sé used to sing it as a song, but when I recorded Chieftains Four, as a tribute to Seán (Ó Riada) I did a special arrangement of that tune, an instrumental arrangement. So he decided the best thing to do would be to put it in the same sort of atmosphere as classical music …. This bloody world would hardly be big enough for you….” (The Sunday Independent, March 1st 1998)Kate’s track was reviewed as “impressive” by Hot Press, and Liam Fay from that publication said that the album was “arguably the most unblemished and cohesive of the star-studded co-operative musical ventures which have become so ubiquitous of late ………a strenuous contender for Irish album of the year”, and, that Kate’s “fiery interpretation….may well prove to be among the most controversial cuts on Common Ground”.

Ceóltoirí Chúalann also featured a singer Seán Ó Sé, who was a tenor.

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The writer of this review, Joe Jackson, had interviewed Donal Lunny about the album which was being touted as the “first interactive CD-ROM compilation of Irish music” (this multimedia release never came to fruition); Donal says:“As far as I know the CD-ROM package will follow…..the whole idea came from Gerard Seligman of EMI who is using this to push its Premier label, but Microsoft are also involved and apparently it has taken more time than was thought to sort out the package. I would defend her efforts as being totally sincere. This Thursday evening at 8pm UK time WUTHERING NIGHTS: THE BIG KATE BIRTHDAY QUIZ EDITION will be "a fun and interactive Facebook quiz to celebrate Kate's birthday and spread our love of Kate in a Covid world."

I helped as much as I could. Seán Ó Sé sang the song but it is today more commonly recognised in Ireland as an instrumental. Some of the concerts given by Ó Riada and Ceóltoirí Chúalann were recorded and are still available on disc, and these give some idea of the atmosphere of excitement. Do you remember that habit you had of writing a tune or an air for Seán Ó Sé and the lads in Ceóltoirí Chúalann and then not letting on where it came from – just to see if it would be accepted by the tradition? Plug people like Kate Bush into a machine that gave a reading on some “Irish spiritual/musical” graph?

I’ve spent a lot of time working and I’d like to catch up.

You wouldn’t believe who is singing or playing Mná na hÉireann.

This record is a tribute to his work as a player, arranger, producer and vibes-merchant. She had Seán Ó Sé’s recording of Mná na hÉireann as reference. Similarly Kate is conscious of the depth that is inherent in what she hears and I think she does a great job on this song”.And so did the NME! She opened herself to several weeks work by taking it on, maybe more than she bargained for. al details at the event page here: I know Bill developed a close friendship with her which is more than I’ve had time or opportunity to do. There is a list of pop stars and bands as long as your arm. That was very gratifying. In a May 1996 interview with Donal in the Irish music paper Hot Press, the writer Liam Fay comments that; “for Lunny, the agreement of Kate Bush, with whom he had laboured before (most notably on her Hounds Of Love album), to come aboard was crucial to the realisation of the whole undertaking”.

“…that cloud looks like Ireland…c’mon and blow it a kiss now…”1995 found Kate taking a year off from work, something that she had mentioned in an interview in Q magazine in November 1993: “…..there’s a few things I’d like to be doing with my life. But I don’t think that the young fella in the street has a clue as to who you were or why you were famous.

Hats off. I knew she’d be good and she didn’t give up until it was right.

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